Podcast: Play in new window | Download (Duration: 1:49:09 — 249.8MB)
Subscribe: Apple Podcasts | Spotify | RSS
Back in 2000, Chip Madinger and Mark Easter produced an exhaustive study of every extant recording of the solo Beatles, up to that very year: studio sessions, live concerts and broadcasts. Eight Arms To Hold You was a one-of-a-kind detailed examination of what the four ex-Beatles did musically, when and with whom. The book went out of print, but the good news is, it’s back (in PDF form) and updated with another 20,000 words, further detailing the ground covered (though it still ends at 2000).
I talked with Mark and Chip about the lay of the land, unreleased recording-wise; what else is out there and what we can make of what we have been given.
Eight Arms To Hold You: The Solo Beatles Compendium (2018 edition) can be found here.






In a slight departure from the SATB norm, I present an account of the career of a Beatles peer: session guitarist Vic Flick, whose work appeared in 1960s music charts alongside The Beatles. Every Fab fan will know his soundtrack work on their first two United Artist films, but in addition to this, he contributed to a McCartney solo project, worked with George Martin (and Beatle acolytes Peter and Gordon), as well as scores of other “British Invasion” acts.

First off, listeners: kindly indulge the first 15 minutes, which represents an audio document of 1968 (January through end of August). It’s one thing to know what happened that year, but it’s quite another to hear the immediacy of actual sound, both news and music. 1968 was a convulsive stream of history and it is with that context in mind that we can come to a better understanding of the world The Beatles operated in.










